プロジェクトの目的

AI生成動画を活用したYouTubeチャンネルの企画・運営プロジェクト。 KATSUYAが企画・戦略・台本を担当し、朴さんが動画制作を担当する。

メンバー

  • KATSUYA: WEBディレクター/コンサルタント。企画・戦略・AI活用担当。
  • 朴さん: 動画クリエイター。動画制作・編集担当。

チャンネル方向性

  • ジャンル: エンタメ教養・クイズ系
  • 参考: ぴよぴよ速報
  • AI活用: 動画素材・ナレーション・台本生成にAIを活用

対応方針

  • 具体的かつ実務的な提案を優先
  • AI動画生成ツールの情報は最新のものを検索して提供
  • 台本作成時はClaudeが下書きを作成 → KATSUYAがレビュー → 朴さんが動画化の流れ
  • 朴さんの時間的制約を考慮し、制作負荷を最小化する設計を心がける

Purpose & context

KATSUYA is building a Japanese educational YouTube channel called「小学生でもわかる。」(Even Elementary Schoolers Can Understand This), which translates adult workplace psychology and behavioral concepts into elementary school scenarios using accessible, child-friendly language with supplementary adult context. The channel’s core value proposition is making topics like Adlerian psychology, cognitive biases, and social dynamics entertaining and understandable for all ages — not just the originally targeted working adult demographic.

KATSUYA’s role spans planning, scriptwriting, and image generation (via Midjourney), with all project costs covered by KATSUYA. Paku-san (朴さん) is the video editing collaborator, brought in as a low-pressure partner with no financial burden and freedom to exit at any time. The collaboration model is joint planning (regular meetings between KATSUYA and Paku-san) with image generation currently handled by KATSUYA for the pilot, intended to transfer to Paku-san over time.

KATSUYA is a web director and consultant by background.


Current state

The pilot episode (#001) is actively in production, covering the theme of bragging/one-upmanship (「自慢」/マウンティング), with the working title「なんで自慢する奴ってムカつくの?」. Key creative decisions locked in:

  • Script is at v3.1, incorporating a rakugo-style structure where the penguin teacher character plays both narrator and the “Takeshi” (braggart) role; “Kenta” (human elementary school boy) serves as the audience surrogate
  • The script opens directly in an elementary school setting (office scene opening was cut)
  • Terminology uses「自慢」as the primary word, with「マウンティング」introduced as the adult term in-video
  • The Adler character appears as a name/photo reference only — no dialogue
  • Osaka dialect is used throughout
  • Production notes for Paku-san are embedded in the script, covering telop color-coding, VOICEVOX voice modulation, and transition timing for the Scene 4 “mask-dropping” moment

For character design, the penguin mascot (graduation cap, yellow beak/feet, simple hand-drawn style) is confirmed. Base image: https://cdn.midjourney.com/5ba6b6c3-d034-480b-90d3-da39f193aec8/0_0.png. Currently working on expression variants and the matching Kenta character.


On the horizon

  • Completing expression variants for the penguin mascot (angry, sad, happy, etc.)
  • Finalizing the Kenta character design with style consistency to the penguin
  • Continued script refinement and handoff to Paku-san for editing
  • Longer-term: transferring image generation responsibilities to Paku-san
  • A 12-episode theme list has been established as the content roadmap, with a three-month production roadmap and defined withdrawal/exit criteria

Key learnings & principles

  • The channel’s audience was broadened from working adults (25–44) to all ages by grounding content in a child’s perspective as the base layer, with adult terminology as supplementary — this also simplified asset requirements
  • Eliminating the office scene opening and starting in-school reduced production complexity without sacrificing concept clarity
  • Using「自慢」over「マウンティング」as the primary term improves accessibility while still introducing the adult vocabulary in-context

Approach & patterns

  • Scripts are versioned iteratively (v1 → v2 → v3 → v3.1), with structural changes documented and rationale preserved for handoff continuity
  • Handoff documents are produced proactively for collaborators and new chat sessions to maintain context across workstreams
  • Collaboration with Paku-san is framed as low-pressure and joint — KATSUYA leads but builds together, not top-down

Tools & resources

  • Midjourney for character/asset generation; established parameters: --niji 6 --ar 1:1 --s 50, with --no realistic, detailed, gradient, 3d, shading, shadow; --cref + --sref + --cw 100 for penguin consistency; --sref only (not --cref) for Kenta to match art style without inheriting penguin features; full base prompt description must be retained alongside --cref for character consistency
  • VOICEVOX for voice synthesis
  • Video editing handled by Paku-san
  • Claude used for scriptwriting, document generation, and Midjourney prompt refinement